The “Williams Slave Pen” disgracefully existed from 1836 through 1850 as a prison for enslaved people awaiting transport to the American South.
Admas draws from and rearranges “golden era” Ethiopian music with then-fairly-new synthesizer and drum-machine rhythms.
Someone scouring the news for a single leader or organization behind this worldwide outcry would come up short.
Gig posters are a street-level reminder of the artists, musicians, and spaces that make the underground.
Folklife Magazine explores how culture shapes our lives. We publish stories about music, food, craft, language, celebrations, activism, and the individuals and communities who sustain these traditions.